Zeiss Otus 28mm f/1.4 ZE Wide Angle Prime Lens for Canon

The wide-angle lens

Use the Zeiss 28mm f/1.4 lens and experience the quality and look of a medium format lens. Whether you are shooting landscape, architecture or interiors, during the day or at night – this lens will provide you with high resolution and outstanding definition regardless of the situation. It is purely and simply the world's best wide-angle lens.

The optical correction of one of the best 28mm lenses prevents practically any aberration you can think of. It will just keep on fascinating you – even after many years of use and also on high-resolution systems.

The ultimate in image contrast

Aberrations caused by extreme differences between shadows and highlights are particularly obvious in images captured at night. Thanks to the outstanding correction of lateral chromatic aberration, the floodlit facade is reproduced with absolute perfection.

The medium format look

Thanks to its exceptional sharpness, the Zeiss Otus exploits the full potentials of contemporary high-resolution sensors and rewards photographers with images characterised by the breathtaking rendition of even the finest details.

Aspherical design

The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.

Apochromat

Because this lens is an apochromat, chromatic aberrations (axial chromatic aberrations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of colour artefacts.

Virtually distortion-free optics

Dramatic perspectives and a view from extraordinary image angles – Zeiss lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image centre, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.

Features

• EF mount lens / full-frame format
• Aperture range: f/1.4-16
• Apochromatic, distagon optical design
• 8 anomalous partial dispersion elements
• 2 aspherical elements
• Floating elements system
• Zeiss T* anti-reflective coating
• Internal focus; manual focus design
• All-metal barrel, yellow scale markings