The SP 150-600mm G2 (Generation 2) ultra-telephoto lens with upgraded optical performance enables handheld shooting with remarkable definition. This new lens builds upon the success of the current SP 150-600mm (Model A011) which Tamron first introduced in 2013, including better overall optical performance and faster AF speed, VC enhancements, plus Fluorine Coating, FLEX ZOOM LOCK and tele-converter. Rebuilt from the ground up to meet Tamron’s strict quality standards and design specifications, this new zoom combines smart engineering and high performance with quality craftsmanship, durability and user friendliness.
ON PROMOTION with the Badger Gear Snuggfit Bean Bag II (Filled).
World acclaimed ultra-telephotoTELEPHOTOA lens with long focal length capable of making distant objects appear nearer thus larger. Essentially, it isolates and magnifies the subject so that it appears as a full image when shooting from a distance. Telephoto lenses are ideal for photographing subjects that are further away, such as wildlife and sports photography. zoom reborn
The SP 150-600mm G2 includes three LD (Low Dispersion) lens elements which completely eliminate axial and transverse chromatic aberrations. It also features upgraded optical construction (21 elements in 13 groups).
Anti-reflection technologies, eBAND (Extended Bandwidth and Angular-Dependency) Coating and BBAR (Broad-Band Anti-Reflection) Coating improve light transmission and suppress internal reflections, including light reflected off the camera’s image sensors. So even when taking a backlit or semi-backlit photograph, ghosting and flareFLAREOccurs when a point light source such as the sun or an artificial light (that is brighter than the rest of the scene), hits the front element of a lens resulting in a lack of contrast, haze, or unwanted semi-transparent objects being present in the image. You can avoid lens flare with a lenshood or filters, however, the effect is also useful for bringing artistic elements into an image, such as sun rays peaking out from behind a rock formation. caused by reflected light are fully eliminated.
Additional enhancements expand the lens’s versatility. For example, MOD (Minimum Object Distance) has been reduced to 2.2m so you can enjoy tele-macroMACROProducing photographs that render extreme close-ups of extremely small subjects like insects, hence its popularity among nature photographers. It requires using a macro lens with a large reproduction (magnification) ratio of at least 1:1, which renders a subject larger than life size. Macro lenses are capable of focussing at extremely short distances (some as little as a few centimetres), allowing the photographer to get very close to the subject. photography and dramatic bokehBOKEHPronounced: /ˈboʊkɛ/, /ˈboʊkeɪ/ [boh-kay] or /ˈboʊkə/ [boh-kə] Originating from the Japanese word Boke (ボケ), meaning 'blur' or 'haze', it refers to the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. It has also been defined as the way the lens renders out-of-focus points of light. Bokeh depends on various aspects of lens design. Aperture design has the largest effect on Bokeh, and generally a lens with a more rounded aperture produces a more pleasing, natural Bokeh..
- Canon EF-mount lens / full-frame format
- ApertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. range: f/5-40
- Three low dispersion glass elements
- eBAND, BBAR & fluorine coatings
- Ultrasonic silent drive AF motor
- VC image stabilisation
- FLEX ZOOM LOCK, zoom lock switch
- Moisture-resistant construction
- Removable Arca-type tripod mount
- Compatible with TAP-in console
Capture the moment with sharpness & accuracy
The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control. AF speed is significantly improved from the current model, and it enables accurate high-speed focus even when capturing moving subjects.
Keep it steady with improved Vibration Compensation
The VC (Vibration Compensation) effectiveness is equivalent to 4.5 stops, based on image stabilisation performance levels established by CIPA (Camera and Imaging Products Association) when using in VC MODE 3. SP 150-600mm G2 has three types of VC modes.
- VC Mode 1: The standard mode that strikes a great balance between the stability of the viewfinder image and the stabilisation effects.
- VC Mode 2: Exclusively used for panning.
- VC Mode 3: Prioritises the stabilisation of the captured images and forgoes the stabilisation of the viewfinder image.
Protect your lens with Fluorine Coating & Moisture-Resistant Construction
The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.
FLEX ZOOM LOCK mechanism enables zoom lock at any position
FLEX ZOOM LOCK mechanism quickly locks or unlocks the zoom at any position simply by sliding the zoom ring. Photographers can shoot from any angle without the zoom extending unintentionally. Additionally, the conventional Zoom Lock switch prevents unwanted barrel extension during transportation.
|Barrel Type||Magnesium alloy barrel|
|Camera Mount||Canon EF, metal mount|
|Full Time Manual Focus||Yes|
|Minimum Focus Distance||2.2m|
|Image Stabilization||Yes, 4.5 stops|