Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit

Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit
Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit Profoto D2 Duo 1000/1000 AirTTL Monolight Studio Kit
  • Profoto
  • 901017
R 74,990.00 Awaiting Stock
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Bernard Koch
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Profoto monolights are self-contained flash units. Unlike a flash pack, which consists of a separate generator and a number of flash heads, the monolight has its own mains powered built-in power source. As a result it’s a compact, convenient and powerful solution for both studio and on-location.

With the Profoto D2, you’re always up to speed. Whether you’re shooting portrait, food, fashion or sport, with a flash duration of up to 1/50,000 of a second you’ll get a great shot every time. This is high-end light shaping excellence in a superfast and versatile package for photographers who demand only the very best.

The D2 can be fully integrated together with AirTTL flashes like the B1 and B2. You can shoot with all flashes in TTL or manual mode or combine them as you wish. For example set the D2 in manual for the background and use the B1 or B2 in TTL as the main flash. HSS is available in both manual and TTL modes.

The Profoto D2 1000 recycles to full power in 1.2 seconds, almost half the time as the D1 1000, and in Freeze Mode, achieves flash durations as short as 1/50,000 of a second, outperforming most studio pack systems. That's good news for special effects photographers and sports shooters. It can also shoot bursts of 20 flashes per second, so you're sure to capture peak action or several versions of it. In addition, the D2 also supports High Speed Sync up to 1/8000 of a second for photographers who want to stop action or use wide apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur.s with full ambient light control. The 10-stop power range gives ample choices to achieve your objective.

Besides super-fast operation, the D2 shortens your shooting time with on-board TTL compatibility. Pros who formerly turned their noses up at the term "point-and-shoot" as amateurish will learn to love this technology. Simply set your lights up, set the camera to TTL and shoot. The first shot is nearly always a keeper. The key to this control is the optional Air Remote TTL-C (for Canon) or TTL-N (for Nikon). Operating on 2.4 GHz bandwidth, the wireless transmitter, really a controller, has 8 frequency channels and with 6 groups and a range of up to 330' for TTL triggering and 1000' for normal triggering. Each channel has power ratio capability of +/- 2 stops. If you prefer to use manual, you have 10 stops of power variation.

The D2 also features an enhanced, intuitive LCD screen display. Modeling Light, Ready Indicator, Mode, Sync, Channel, and Group are easily selected through the Settings button. The display even flips around the way your iPhone does in case you're working with the head upside down or hanging it overhead. The D2 has a self-seeking multi-voltage (100-240) power supply for worldwide use, too. Profoto has covered so many features on the photographers wish list that you'll wonder what they can come up with next.


Freeze the moment

The D2 can provide super quick flash durations up to 1/50,000 of a second. Shoot a splash of water and it will be frozen in mid-air – a photographic work of art.


Catch the moment

The D2 can shoot up to 20 flashes per second. That’s fast enough to catch the best of any moment. Ask your subject to jump and you’ll have 20 mid-air exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image.s to choose from.


Control your surroundings

Profoto High-Speed Sync (HSS) enables you to shoot with shutter speedSHUTTER SPEEDAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Shutter speed is the length of time that a single frame is exposed for, more specifically how fast the shutter opens and closes to permit light entering the lens, to reach the sensor. A slow shutter speed means a longer exposure time useful for motion blur like the silky look of flowing water, whereas a fast shutter speed means a shorter exposure time useful for freezing the appearance of motion in images like a hummingbird in flight. It is measured in seconds starting at 1 second and halving our doubling in time. For example: 1/2s, 1/4s and 1/8s are all fractions of a second with 1/2s being the longest exposure time, 1/4s half of that and 1/8s another half etc.s up to 1/8,000 of a second. Use HSS to shoot with large apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. in bright conditions or to freeze action with absolute sharpness.


Shoot with ease using TTL

Point-and-shoot in TTL Mode. Switch to Manual Mode and control the light with intuitive buttons and menus. Forget about the flash and focus on the light.


Overpower any light

The D2 packs enough of punch to overpower the available light in almost any situation. Its power is also a blessing when shooting at larger distances or when using larger Light Shaping Tools.


Grow with speed

It has the speed to set you free, and the power for you to be at your best. It’s an integrated part of the extensive Profoto system. Go full speed ahead with the D2.


Features:

  • Adjustable in 1/10 f-stopF-STOPA notation used to indicate aperture, referring to the ratio between the diameter of the aperture in a lens and the lens's focal length. It is expressed using standard sequence fractional stops: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The lower the f-stop number, the wider the lens opening (aperture). These numbers might seem arbitrary, but they indicate the focal ratio is at doubles or halves. For example, on a 50mm lens with 25mm aperture diameter, the ratio between the focal length and the aperture is 50/25=2. The f-stop would then be expressed as f/2. increments over a 10 f-stopF-STOPA notation used to indicate aperture, referring to the ratio between the diameter of the aperture in a lens and the lens's focal length. It is expressed using standard sequence fractional stops: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The lower the f-stop number, the wider the lens opening (aperture). These numbers might seem arbitrary, but they indicate the focal ratio is at doubles or halves. For example, on a 50mm lens with 25mm aperture diameter, the ratio between the focal length and the aperture is 50/25=2. The f-stop would then be expressed as f/2. power range to give you both power and precise control.
  • Bursts up to 20 flashes per second with flash durations up to 1/50,000 of a second. o High Speed Sync up to 1/8,000s.
  • Shoot in TTL or manual mode.
  • Fully integrated with other AirTTL flashes like B1 and B2.
  • Built-in reflector for maximum output and minimizing of straylight.
  • High-resolution display with a superior, intuitive interface.
  • Optional Quartz flashtube for high volume packshot available.
  • Compatible with 120+ Light Shaping Tools from Profoto's renowned light shaping system.

Studio Lighting
Power Output (Max Watt Seconds) 1000Ws
Modeling Light Wattage 300 W halogen
Flash Duration (t0.5): 1/1600 sec in Normal mode max power - 1/50,000 sec in Freeze mode min power
Recycle Time Minimum/Maximum: 0.03-1.2 sec
Quick Burst Mode: 20 frames per sec
Trigger Options Air radio slaves, optical (IR), sync cord
-----------------
8 Channels / 6 Groups (A-F)
Yes, via optional Air Remote TTL-C/N, Air remote, Air USB (Profoto Studio)
Up to 1000' (300 m) for normal triggering
Up to 330' (100 m) for TTL with optional Air Remote TTL-C/N
Fan Cooled Yes
User Replacable Flashtube Yes
User Replacable Modeling Light Yes

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