Sony Alpha a9 II Mirrorless Digital Camera Body

24.2MP Exmor RS BSI Stacked CMOS Sensor and BIONZ X Image Processor

Built for speed, the a9 II utilises a 24.2MP Exmor RS BSI stacked CMOS sensor, along with an updated BIONZ X image processor, that yields impressively quick and responsive performance. Up to 20 fps continuous shooting is possible using an electronic shutter or 10 fps shooting is supported with a mechanical shutter. The sensor's back-illuminated design also affords high sensitivity to an extended ISO ISO Exposure is controlled by three elements: Aperture, Shutter Speed and ISO. The ISO speed determines how sensitive a camera's sensor is to incoming light. A higher ISO speed absorbs more light, resulting in a brighter exposure, however, a higher ISO also results in more digital noise in low-light conditions. Cameras with larger sensors (like full-frame cameras) typically have higher ISO speed capability and produce less digital noise at high ISO settings. Digital cameras include a control for adjusting ISO speed, some of which can be set to adjust automatically in combination with certain other exposure settings. ISO is indicated in numbers usually starting at 100 and going upward (200, 400, 800, 1600 etc.) doubling in sensitivity each time. Most cameras also indicate 3rd stop intervals (100, 125, 180, 200 etc.)204800 with reduced noiseNOISEThe appearance of random pixels scattered over a photo, similar to the grain effect seen in film photography, which degrades photo quality almost as if it is stained. It occurs when taking photos in low-light conditions, with very slow shutter speeds on high sensitivity (ISO) settings. It is caused by amplification done by the sensor when high ISO settings are used. You can counteract digital noise by lowering the sensitivity (ISO) setting of your camera - the lower the ISO setting, the lower the noise in the image. Typically cameras with larger sensors (like full-frame cameras) will inherently produce less noise due to larger pixels on the sensor. for clean image quality in a variety of lighting conditions. Additionally, uncompressed raw files can be recorded in 14-bit for greater colour fidelity and post-production flexibility.

The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realise faster processing times along with a wide dynamic range with smooth tonal rendering. Benefitting the fast recording capabilities is an equally quick AF/AE metering system that functions at 60 times per second to continuously evaluate the scene in order to lock onto and track moving subjects. Automatic anti-flicker shooting also recognises and times the shutter action to minimise the flicker effect for more consistent results on still images. Additionally, due to the use of an electronic shutter, totally blackout-free monitoring is possible with the electronic viewfinder for more accurate compositions of moving subjects.

Fast Hybrid AF System

Covering 93% of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrastCONTRASTThe difference between areas of different brightness levels in a photograph: A high-contrast image has a greater difference between light and dark areas, whereas a low-contrast image has a narrow range of tones. Contrast is used to direct a viewer’s attention to a photographer’s subject either with colour contrast (bold versus duller colours) or tonal contrast (bright versus darker tones). -detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -3 EV. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. Updated AF algorithms also benefit maintaining a critical focus on erratically or unpredictably moving subjects. Additionally, the use of phase-detection points enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighbouring focus points to retain focus on moving subjects even if the originally selected point loses focus. The focus frame colour is selectable, between white and red, and AF tracking is possible with apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur.s narrower than f/16 with select lenses when working in Focus Priority mode. Additionally, Eye AF can be used to base focus on recognised human subjects' eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. Additionally, when working in AF-C mode, the focus point can be moved while the shutter button is half-pressed, making it easier to quickly shift focus without losing sight of the action.

Body Design

• A Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution and 0.78x-magnification for bright, clear viewing in rich detail, and a dedicated High-Quality setting enables a 120 fps to refresh rate for especially smooth playback of moving subjects. Additionally, a fluorine coating has been applied to the outermost viewfinder element to benefit cleaning.
• In addition to the EVF, a 3.0" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward and downward to benefit working from high and low angles.
• Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
• Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
• Using the same NP-FZ100 battery as its predecessor, the a9 II's battery life is rated for approximately 500 shots per charge with the EVF or 690 shots with the rear LCD.
• Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
• A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
• Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
• Durable shutter design has been tested for 500,000 actuation.
• Updated Multi-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• The a9 II also features a 3.5mm microphone input jack for compatibility with external microphones.
• Compatible with optional VG-C4EM Vertical Grip.

Connectivity

• Built-in Wi-Fi enables the a9 II to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
• Bluetooth connectivity allows for location data acquisition.
• Integrated Ethernet port has been upgraded to 1000BASE-T speed for quick wired LAN sharing and remote operation.
• When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background while continuing to shoot.
• Imaging Edge Remote for desktop now supports the a9 II for PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control now makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
• Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform the automatic voice-to-text conversion.
• Voice Memos can be recorded in conjunction with still images and allow for attaching up to 60-second-long sound recordings to individual images. Saved as WAV audio files, these memos can be attached to files and played when the images are reviewed. Using the Transfer & Tagging add-on on a smartphone, you can automatically or manually convert this audio into the text to be embedded in the image's metadata.
• Up to 10 distinct FTP settings can be saved and stored to an SD card, or up to 20 different settings can be saved via the Imaging Edge Mobile app.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixelPIXELThe shortening of 'picture element', a basic unit of programmable colour forming the dots that make up an image. Pixel size depends on a camera’s resolution, which is measured in megapixels (MP), meaning millions of pixels. The more pixels on a sensor, the smaller they have to be to fit. An image's number (or density) of pixels correlate to the amount of information and image holds. Cameras with more pixels on the sensor have a higher pixel density and thus more resolving power, able to capture smaller details with much more clarity and accuracy. Higher resolution images can be cropped more agressively and also produce better quality large prints. readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilise the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

5-Axis SteadyShot INSIDE Image Stabilisation

The a9 II incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilisation system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengthFOCAL LENGTHMeasured in mm, it is the distance from the focal point of a lens (its centre or curved mirror where light converges) to the plane of the image sensor (film) when an object is in focus. A shorter focal length lens sees a wider image and a longer focal length brings your subject closer. For example, a 15mm lens sees a very wide image and is perfect for landscape photography. Conversely, a 500mm lens sees a very narrow image, brings the subject much closer and is thus great for subjects that are far away, like a bird in a tree. With zoom lenses, its minimum and maximum focal lengths are indicated, for example, as 24-105mm. A zoom lens allows you to change the lens’ focal length, with shorter (wide-angle) and longer (telephoto) options, whereas a fixed focal length lens requires you to move back and forth to find the correct image composition. s, the system will correct for pitch and yaw adjustments. MacroMACROProducing photographs that render extreme close-ups of extremely small subjects like insects, hence its popularity among nature photographers. It requires using a macro lens with a large reproduction (magnification) ratio of at least 1:1, which renders a subject larger than life size. Macro lenses are capable of focussing at extremely short distances (some as little as a few centimetres), allowing the photographer to get very close to the subject. and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilisation will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilisation.

Other Camera Features

• Save/load camera settings is possible in-camera as well as to an SD card for working with the same shooting settings with multiple camera bodies.
• Customisable Fn button can be set to handle separate tasks depending on if working in stills or video modes.
• A Rating function lets you assign star values, from 1-5 to images in-camera for faster editing and sorting at home during post-production.
• An advanced 1200-zone evaluative exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image. metering sensor delivers consistent and accurate results using multi-segment, centre-weighted, or spot metering modes.
• Highlight and Average metering modes help avoid blown-out highlights and provide stable auto-exposure, respectively.