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The World’s First f/1.8 Wide-Angle Prime LensPRIME LENSA photographic lens used as an (1) alternative, fixed focal length alternative to a zoom lens or, (2) more traditionally, as the primary lens in a combination lens system. In the first sense, a prime lens is known for having a larger maximum aperture and consequently offers greater shutter speeds, having advanced optics and weighing less than zoom lenses, albeit less flexible, because of their simpler construction with less moving parts. In the second sense, a prime lens refers to the primary lens when paired with other optical devices. A prime lens's focal length is fixed and the photographer is required to move closer or further to achieve the correct image composition.
The Sigma 14mm f/1.8 DG HSM Art is the world's first f/1.8 prime lens at the 14mm focal lengthFOCAL LENGTHMeasured in mm, it is the distance from the focal point of a lens (its centre or curved mirror where light converges) to the plane of the image sensor (film) when an object is in focus. A shorter focal length lens sees a wider image and a longer focal length brings your subject closer. For example, a 15mm lens sees a very wide image and is perfect for landscape photography. Conversely, a 500mm lens sees a very narrow image, brings the subject much closer and is thus great for subjects that are far away, like a bird in a tree. With zoom lenses, its minimum and maximum focal lengths are indicated, for example, as 24-105mm. A zoom lens allows you to change the lens’ focal length, with shorter (wide-angle) and longer (telephoto) options, whereas a fixed focal length lens requires you to move back and forth to find the correct image composition. . This fast wide prime features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal coma flareFLAREOccurs when a point light source such as the sun or an artificial light (that is brighter than the rest of the scene), hits the front element of a lens resulting in a lack of contrast, haze, or unwanted semi-transparent objects being present in the image. You can avoid lens flare with a lenshood or filters, however, the effect is also useful for bringing artistic elements into an image, such as sun rays peaking out from behind a rock formation. . Building on the highly reputable Art line, the Sigma 14mm f/1.8 DG HSM Art is designed to resolve the latest high megapixelPIXELThe shortening of 'picture element', a basic unit of programmable colour forming the dots that make up an image. Pixel size depends on a camera’s resolution, which is measured in megapixels (MP), meaning millions of pixels. The more pixels on a sensor, the smaller they have to be to fit. An image's number (or density) of pixels correlate to the amount of information and image holds. Cameras with more pixels on the sensor have a higher pixel density and thus more resolving power, able to capture smaller details with much more clarity and accuracy. Higher resolution images can be cropped more agressively and also produce better quality large prints. DSLR sensors. Like each and every Global Vision Lens, the Sigma 14mm f/1.8 DG HSM Art is handcrafted at our single factory in Aizu, Japan and undergoes individual evaluation before leaving Sigma’s facility.
Minimised Chromatic Aberrations and distortion
Three FLD (“F” Low Dispersion) glass elements and four SLD (Super Low Dispersion) glass elements help minimise transverse chromatic aberration, which tends to be noticeable in shots taken with ultra-wide-angle lensWIDE-ANGLE LENSHas a short focal length, hence a field covering a wide angle, ideal for architectural, interior and landscape photography where the photographer may be unable to move further away from the scene to photograph it. Wide-angle lenses come in both fixed-focal length and zoom lens varieties.es. The result is outstanding image quality from the centre of the image to the edges. Serving as the front lens element, the large 80 mm diameter precision-moulded glass aspherical lens effectively minimises distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the centre to the edges.
Distinctive and Beautiful BokehBOKEHPronounced: /ˈboʊkɛ/, /ˈboʊkeɪ/ [boh-kay] or /ˈboʊkə/ [boh-kə]
Originating from the Japanese word Boke (ボケ), meaning 'blur' or 'haze', it refers to the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. It has also been defined as the way the lens renders out-of-focus points of light. Bokeh depends on various aspects of lens design. Aperture design has the largest effect on Bokeh, and generally a lens with a more rounded aperture produces a more pleasing, natural Bokeh.
Even at the 14mm ultra-wide-angle of view, the f/1.8 apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. makes possible a very shallow depth of field with the subject standing out dramatically against a bokeh background. It’s the unique mode of expression that only a large-aperture lens can deliver.
Nikon F-mount (FX)
Full Time Manual Focus
Minimum Focus Distance
Fixed Focal Length Lens
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