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PolarPro Cinema series vivid filter set for Mavic 2 Pro PolarPro Cinema series vivid filter set for Mavic 2 Pro PolarPro Cinema series vivid filter set for Mavic 2 Pro
PolarPro Cinema series vivid filter set for Mavic 2 Pro PolarPro Cinema series vivid filter set for Mavic 2 Pro

PolarPro DJI Mavic 2 Pro Vivid Collection filters will help you reduce camera shutter speed for smooth cinematic videos and also cut down glare to produce stunningly saturated colours. Included are ND4/PL, ND8/PL, and ND16/PL filters to reduce shutter speed and cut glare in bright and reflective conditions.

These neutral density/polarizing filters are made with one single piece of optical glass and thread on in place of your stock Mavic 2 Pro UV filter, ensuring easy installation and proper gimbal balance. Vivid filter frames are built with PolarPro AirFrame technology for fluid compatibility with the Mavic 2 Pro gimbal system and feature polarization reference indicators built into the frames for quick and easy polarization adjustment. Cinema Series filters feature production grade multi-coated glass for those who demand the best optics and are confidently backed by PolarPro’s Aircraft Warranty to work flawlessly with your Mavic 2.

  • Precisely engineered for DJI Mavic 2 (choose Pro or Zoom) 
  • Vivid Collection: ND4/PL, ND8/PL, ND16/PL Mavic 2 filters, stock UV tool
  • Polarization indicator laser etched onto each ND/PL frame marks the strongest linear polarization angle
  • Cinema Series Glass – Low refractive index, colour neutrality, perfect target transmission
Product Code: M2P-CS-VIVID
R 1,995.00
Awaiting Stock
Free Delivery in SA
on orders over R1000

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The Cinema Series Vivid Collection for Mavic 2 Pro from PolarPro includes three neutral densityNEUTRAL DENSITYAn optical filter that absorbs light of all wavelengths to the same extent, resulting in an overall dimming without affecting the colouration. It enables a longer exposure time or larger aperture than otherwise possible, and thus is a favourite in landscape and portrait photography. In landscape photography it is used to lengthen the exposure time in order to create delibirate motion blur. In portrait photography it is used to shoot at larger apertures which produce shallower depth-of-field and consequently more background blur./polarizing hybrid filters in a magnetic filter case. The case has been redesigned from previous versions to provide even more efficient access to the filters. The filters securely screw onto your Mavic 2 Pro in place of the stock UV filter without putting any weight strain on the gimbal.

The ND/PL filters cut the amount of light that enters your lens as well as reduce reflections. Blocking a certain amount of light allows you to open the iris, reduce the shutter speedSHUTTER SPEEDAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Shutter speed is the length of time that a single frame is exposed for, more specifically how fast the shutter opens and closes to permit light entering the lens, to reach the sensor. A slow shutter speed means a longer exposure time useful for motion blur like the silky look of flowing water, whereas a fast shutter speed means a shorter exposure time useful for freezing the appearance of motion in images like a hummingbird in flight. It is measured in seconds starting at 1 second and halving our doubling in time. For example: 1/2s, 1/4s and 1/8s are all fractions of a second with 1/2s being the longest exposure time, 1/4s half of that and 1/8s another half etc., and shoot with longer exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image.s to achieve smoother, more cinematic images in bright outdoor environments. The ND/PL filters in this set also have polarization reference indicators laser-etched into the frames to allow for easier alignment.

The Cinema Series features production-grade multi-coated glass and PolarPro's AirFrame ultra-lightweight, aircraft-grade aluminium construction with precision threading. Cinema Series filters are designed with a hydrophobic coating that repels oils and water, optical ND coating that allows for optimal transmission while ensuring a hyper-neutral colour profile, and scratch-resistant coating that increases surface hardness for a more durable exterior.


Key Features

  • Cinema Series multi-coated glass with AirFrame ultra-lightweight, aircraft-grade aluminium construction
  • ND4/PL, ND8/PL, and ND16/PL filters cut light by 2, 3, and 4 f-stopF-STOPA notation used to indicate aperture, referring to the ratio between the diameter of the aperture in a lens and the lens's focal length. It is expressed using standard sequence fractional stops: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The lower the f-stop number, the wider the lens opening (aperture). These numbers might seem arbitrary, but they indicate the focal ratio is at doubles or halves. For example, on a 50mm lens with 25mm aperture diameter, the ratio between the focal length and the aperture is 50/25=2. The f-stop would then be expressed as f/2.s, respectively, and reduce reflections
  • Magnetic filter case
  • Filters thread on in place of the drone's stock UV filter
  • Hydrophobic, optical ND, and scratch-resistant coatings
  • Polarization reference indicators etched into the frames for easier alignment


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Included

  • PolarPro Cinema Series Vivid Collection for Mavic 2 Pro
  • ND4/PL Filter
  • ND8/PL Filter
  • ND16/PL Filter
  • Magnetic Filter Case
  • Limited 1-Year Warranty
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