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The Nikon Z7 Mirrorless Camera brings that vision to life (and then some). Combining the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount and matched lenses, a Nikon designed 45.7MP image sensor and seamless integration with Nikon’s DSLR system - including the NIKKOR lenses you love-the Z7 is a camera unlike any before it.
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Nikon's vision has always been to create cameras and lenses that capture more light. More light means more detail. More speed. More possibilities. The Nikon Z 7 brings that vision to life (and then some). Combining the advantages of a lightweight mirrorless design, a revolutionary new full-frame lens mount and matched lenses, a Nikon designed 45.7MP image sensor and seamless integration with Nikon’s DSLR system—including the NIKKOR lenses you love - the Nikon Z 7 is a camera unlike any before it. And yet, it’s unmistakably a Nikon. This is mirrorless reinvented.
When used with the optional Mount Adapter FTZ, more than 90 F-Mount NIKKOR lenses maintain all of their sharpness, resolving power and functionality and gain the advantages of the Z 7’s in-body VR, silent shooting, PDAF focusing system, 4K video and more. Approximately 360 F-Mount NIKKOR lenses can be used. Compatibility as only Nikon can deliver.
Take an ultra-high resolution QUAD VGA display, add Nikon optics for magnification, including Aspherical lens elements and Fluorine coating, and you’ve got an EVF experience unlike any before it. Minimal lag and blackout, 100% frame coverage (approx.), corner-to-corner clarity and sharp magnification. It has the feel of an optical viewfinder, and you can use it for both stills and videos.
All relevant info is displayed out of the way and is easy on the eyes. A new customizable menu appears right inside the viewfinder, so you can quickly adjust settings without ever taking your eye off the shot. Focus modes, white balance, exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image., VR settings, Picture Controls, and more—all within eye’s reach. Preview exposure and white balance changes, image stabilization and depth-of-field in real time. You can even review the photo or video you just shot.
Powerful in-body 5-axis VR image stabilization is applied to whatever NIKKOR Z lens you’re using. Up to five stops* of image stabilization in up to five directions—yaw, pitch, roll, X and Y. During video recording, optical VR is combined with electronic VR (e-VR) for even steadier shots. Normal VR mode for static subjects. Sports VR for moving subjects.
*Based on CIPA Standards. This value is achieved when the NIKKOR Z 24-70mm f/4 S lens is attached, with the zoom set at the maximum telephotoTELEPHOTOA lens with long focal length capable of making distant objects appear nearer thus larger. Essentially, it isolates and magnifies the subject so that it appears as a full image when shooting from a distance. Telephoto lenses are ideal for photographing subjects that are further away, such as wildlife and sports photography. position.
17% larger internal diameter than Nikon's acclaimed F-Mount. Wider than any full-frame mount available. It totally changes what’s possible with lens design. Enhanced low-light performance. Even illumination from corner-to-corner. Maximum apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur.s as wide as f/0.95. Faster data transfer between camera and lens. This is the ideal balance between mount diameter, large image sensor and flange focal distance.
Shoot up to 9 FPS at full resolution (12-bit RAW or JPEG) with minimal shooting noiseNOISEThe appearance of random pixels scattered over a photo, similar to the grain effect seen in film photography, which degrades photo quality almost as if it is stained. It occurs when taking photos in low-light conditions, with very slow shutter speeds on high sensitivity (ISO) settings. It is caused by amplification done by the sensor when high ISO settings are used. You can counteract digital noise by lowering the sensitivity (ISO) setting of your camera - the lower the ISO setting, the lower the noise in the image. Typically cameras with larger sensors (like full-frame cameras) will inherently produce less noise due to larger pixels on the sensor.* and without the need for an external battery pack. For complete silence, switch to Silent Mode and shoot up to 8 FPS with no mechanical noise.
*If an F-Mount NIKKOR lens is used with the Mount Adapter FTZ, aperture, VR driving and initial lens driving sounds may occur, for instance, when turning on the camera.
Video features are plentiful. The camera captures UHD 4K video at 30p and 24p using the full width of the sensor. When using a Super 35/DX crop of 1.5x, the camera uses all the pixelPIXELThe shortening of 'picture element', a basic unit of programmable colour forming the dots that make up an image. Pixel size depends on a camera’s resolution, which is measured in megapixels (MP), meaning millions of pixels. The more pixels on a sensor, the smaller they have to be to fit. An image's number (or density) of pixels correlate to the amount of information and image holds. Cameras with more pixels on the sensor have a higher pixel density and thus more resolving power, able to capture smaller details with much more clarity and accuracy. Higher resolution images can be cropped more agressively and also produce better quality large prints.s in that region to produce its video. There are 435 phase-detect points available when capturing video, with both in-body and electronic VR available to reduce shake.
The Z 7 supports 10-bit N-LOG (4:2:2) when output over HDMI as well as the ability to simultaneously output video (8-bit 4:2:0) while recording to the memory card. There's also live focus peaking, zebra stripes, adjustable AF tracking speeds, timecode while in 4K mode.
The autofocus system features 493 PDAF points with 90% vertical and horizontal coverage. While the camera can detect faces, it lacks an equivalent to Sony's useful Eye AF. Naturally, the Z 7 offers subject tracking (though it doesn't behave in the same way as the 3D Tracking system that we enjoy in Nikon's DSLRs) and it's sensitive down to -3EV on lenses with apertures of f/2 and faster.
Included with the camera body is the standard zoom NIKKOR Z 24-70mm f/4 S lens, which covers a wide-angle to portrait-length range and features a constant f/4 maximum aperture. The optical design incorporates one aspherical element as well as a unique aspherical extra-low dispersion element; both of which help to greatly reduce a variety of aberrations and distortion for high sharpness and accurate colour rendering. A Nano Crystal Coating is also used to control flareFLAREOccurs when a point light source such as the sun or an artificial light (that is brighter than the rest of the scene), hits the front element of a lens resulting in a lack of contrast, haze, or unwanted semi-transparent objects being present in the image. You can avoid lens flare with a lenshood or filters, however, the effect is also useful for bringing artistic elements into an image, such as sun rays peaking out from behind a rock formation. and ghosting for increased contrastCONTRASTThe difference between areas of different brightness levels in a photograph: A high-contrast image has a greater difference between light and dark areas, whereas a low-contrast image has a narrow range of tones. Contrast is used to direct a viewer’s attention to a photographer’s subject either with colour contrast (bold versus duller colours) or tonal contrast (bright versus darker tones). in strong lighting conditions. Suiting both photo and video applications, a stepping AF motor is also featured for smooth, near-silent autofocus performance.
Enabling the use of nearly any Nikon F-mount lens on Z-mount mirrorless camera bodies, the FTZ Mount Adapter is a sophisticated means for expanding the range of usable lenses. While compatible with approximately 360 distinct F-mount lenses, this adapter is especially ideal for use with over 90 E, G, and D-type lenses, where it fully maintains autofocus and auto-exposure capabilities for seamless use of the SLR lenses on the mirrorless body. The adapter, which is built from magnesium alloy and is weather-sealed, also incorporates a 1/4"-20 mount on the base to provide a more balanced means for working on a tripod with longer, heavier lenses.
Full AF/AE supported when using:
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The FTZ Mount Adapter enables the use of nearly any Nikon F-mount lens on Z-mount mirrorless camera bodies.
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