The Nikon AF-S NIKKOR 300mm f/4E PF ED VR Nano Telephoto Lens offers you unrivalled performance in the world's lightest 300mm autofocus (AF) lens.
Brand: Nikon
Product Code: LENNI300F4E
R 36,995.00
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The AF-S NIKKOR 300mm f/4E PF ED VR marries innovative optical technology with superb design, offering you unrivalled performance in the world’s lightest 300mm autofocus (AF) lens. Built with Nikon’s proprietary Phase Fresnel (PF) lens, this telephotoTELEPHOTOA lens with long focal length capable of making distant objects appear nearer thus larger. Essentially, it isolates and magnifies the subject so that it appears as a full image when shooting from a distance. Telephoto lenses are ideal for photographing subjects that are further away, such as wildlife and sports photography. innovation enables your images to stand out with new levels of sharpness and clarity with virtually no chromatic aberration of ghosting. Fit it to your FX-format DSLR to fully leverage its pro-level optical proficiency and capture effortlessly stunning images.

The Power Of A Phase Fresnel Lens In A Revolutionary 300mm

The innovative design of the AF-S NIKKOR 300mm f/4E PF ED VR cleverly offers a compact, lightweight body that you can carry wherever you go. With the Phase Fresnel (PF) lens element, singular Extra-low Dispersion (ED) glass element, and Nano Crystal Coating working in tandem, you can now spend less time adjusting your images and more time shooting sharp images with virtually no chromatic aberration and ghosting. The fluorine coating also effectively repels dust, water droplets, grease, and dirt, making it ideal for shooting in any environment. For minimal disturbance as you shoot, you can rely on the Silent Wave Motor (SWM), which drives the optics elements to enable high-speed autofocusing that’s extremely accurate and quiet.

About The Pf (Phase Fresnel) Lens

The PF (Phase Fresnel) lens, developed by Nikon, effectively compensates chromatic aberration utilizing the photo diffraction phenomenon*. It provides superior chromatic aberration compensation performance when combined with a normal glass lens. Compared to many general camera lenses that employ an optical system using the photorefractive phenomenon, a remarkably compact and lightweight body can be attained with less number of lens elements. A general interchangeable lens forms an image on an imaging plane, using the photorefractive phenomenon. The degree of light refraction differs depending on the color (wavelength), and image formation is performed in the order of blue (B), green (G), and red (R) starting with the portion near the lens (see the diagram below). The color deviation referred to as chromatic aberration induces color bleeding, resulting in a deterioration of observed or captured images. With PF (Phase Fresnel) lenses, on the other hand, image formation is performed in the order of red (R), green (G), and blue (B) starting with the portion near the lens (see the diagram below). By combining the PF (Phase Fresnel) lens with a refractive lens, chromatic aberration can be effectively compensated. 

* Diffraction phenomenon: Light has characteristics as a waveform. When a waveform faces an obstacle, it attempts to go around and behind it, and this characteristic is referred to as diffraction. Diffraction causes chromatic dispersion in the reverse order of refraction.

"Pf FlareFLAREOccurs when a point light source such as the sun or an artificial light (that is brighter than the rest of the scene), hits the front element of a lens resulting in a lack of contrast, haze, or unwanted semi-transparent objects being present in the image. You can avoid lens flare with a lenshood or filters, however, the effect is also useful for bringing artistic elements into an image, such as sun rays peaking out from behind a rock formation. Control" Included In Capture Nx-D

Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction phenomenon, when there is a strong light source within the frame or when light enters the lens from outside of the frame, ring-shaped colored flare may occur according to shooting conditions. This phenomenon can be minimized with “PF Flare Control” included in Capture NX-D. See the comparison images below: original image (above), PF Flare Control applied (below). Refer to the software manual for more information. Capture NX-D is available from our website. Please download and use the latest version.

Sharp, Clear Images In Any Shooting Situation

With a maximum apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. of f/4 that creates artistic images with bokehBOKEHPronounced: /ˈboʊkɛ/, /ˈboʊkeɪ/ [boh-kay] or /ˈboʊkə/ [boh-kə] Originating from the Japanese word Boke (ボケ), meaning 'blur' or 'haze', it refers to the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. It has also been defined as the way the lens renders out-of-focus points of light. Bokeh depends on various aspects of lens design. Aperture design has the largest effect on Bokeh, and generally a lens with a more rounded aperture produces a more pleasing, natural Bokeh., the AF-S NIKKOR 300mm f/4E PF ED VR shoots beautifully, even in low light situations. It also puts more auto-exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image. control right in your hands, as its electromagnetic diaphragm mechanism offers consistent exposure in high-speed shooting situations. Photographing adrenaline-pumping moments is further enhanced by Vibration Reduction (VR), which reduces the need for a tripod and minimises shake, while providing an effect equivalent to a shutter speedSHUTTER SPEEDAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Shutter speed is the length of time that a single frame is exposed for, more specifically how fast the shutter opens and closes to permit light entering the lens, to reach the sensor. A slow shutter speed means a longer exposure time useful for motion blur like the silky look of flowing water, whereas a fast shutter speed means a shorter exposure time useful for freezing the appearance of motion in images like a hummingbird in flight. It is measured in seconds starting at 1 second and halving our doubling in time. For example: 1/2s, 1/4s and 1/8s are all fractions of a second with 1/2s being the longest exposure time, 1/4s half of that and 1/8s another half etc. 4.5 stops faster (in NORMAL mode). For capturing subjects such as athletes who are moving swiftly and unpredictably, switch to SPORT VR mode for a remarkably responsive photography experience.

Vibration Reduction (Vr) With An Effect Of 4.5 Stops

Image blur caused by camera shake is effectively reduced by the built-in Vibration Reduction function that provides an effect equivalent to a shutter speed 4.5 stops faster (in NORMAL mode; based on CIPA Standard*). SPORT mode, particularly effective when shooting sports, for example, in which subjects are radically moving, is adopted following the AF-S NIKKOR 400mm f/2.8E FL ED VR.

* When attached to an FX-format digital SLR camera.

Lens

Focal Length
300mm
Maximum Aperture
f/4.0
Minimum Aperture
f/32.0
Barrel Type
Magnesium Barrel
Camera Mount
Nikon F-Mount (FX), Metal Mount
Full Time Manual Focus
Yes
Minimum Focus Distance
1.4m
Internal Focus
Yes
Internal Zoom
Fixed Focal Length Lens
Image Stabilization
Yes, 4.5-stop
Filter Thread
77mm
Weight
755g

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