Whether you are a photojournalist, a commercial shutterbug, a portrait artist, or a wedding photographer, expect the AF-S NIKKOR 24-70mm f/2.8E ED VR to maximise the capabilities of your FX-format DSLR.
The AF-S NIKKOR 24-70mm f/2.8E ED VR sets a new benchmark in our relentless pursuit for optical precision. The first NIKKOR lens to feature an aspherical Extra-low Dispersion glass element, the AF-S NIKKOR 24-70mm f/2.8E ED VR is an FX-format 2.9x normal zoom lensZOOM LENSAllows a camera to, unlike a fixed-focal length or prime lens, change smoothly from a long shot to a close-up or vice versa by varying the focal length. A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Due to more moving parts, zoom lenses often produce images of slightly lesser quality than their prime lens counterparts. However due to the inherent flexibility of being able to vary the focal length, they are extremely popular for photography where composition needs to be adapted quickly - such as at weddings, for example. that offers a maximum apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. of f/2.8 across the full focal lengthFOCAL LENGTHMeasured in mm, it is the distance from the focal point of a lens (its centre or curved mirror where light converges) to the plane of the image sensor (film) when an object is in focus. A shorter focal length lens sees a wider image and a longer focal length brings your subject closer. For example, a 15mm lens sees a very wide image and is perfect for landscape photography. Conversely, a 500mm lens sees a very narrow image, brings the subject much closer and is thus great for subjects that are far away, like a bird in a tree. With zoom lenses, its minimum and maximum focal lengths are indicated, for example, as 24-105mm. A zoom lens allows you to change the lens’ focal length, with shorter (wide-angle) and longer (telephoto) options, whereas a fixed focal length lens requires you to move back and forth to find the correct image composition. range of 24-70mm. It embodies a flawless synergy of NIKKOR’s finest imaging technologies, integrating a state-of-the-art Vibration Reduction (VR) system and a Silent Wave Motor for superior autofocus tracking. These innovations are further enhanced with an electromagnetic diaphragm mechanism that delivers stable auto-exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image. control and Nano Crystal Coat to reduce ghost and flareFLAREOccurs when a point light source such as the sun or an artificial light (that is brighter than the rest of the scene), hits the front element of a lens resulting in a lack of contrast, haze, or unwanted semi-transparent objects being present in the image. You can avoid lens flare with a lenshood or filters, however, the effect is also useful for bringing artistic elements into an image, such as sun rays peaking out from behind a rock formation. . Engineered to redefine high quality photography, the AF-S NIKKOR 24-70mm f/2.8E ED VR will satisfy even the most demanding perfectionist.
The Game-Changer For Professional Photography
Whether you are a photojournalist, a commercial shutterbug, a portrait artist, or a wedding photographer, expect the AF-S NIKKOR 24-70mm f/2.8E ED VR to maximise the capabilities of your FX-format DSLR. This 2.9x normal zoom lens with a focal length range of 24-70mm is indispensable in a professional’s arsenal, offering the versatility of shooting in a staggering range of scenarios. The maximum aperture of f/2.8 can be leveraged at any focal length to achieve stunning bokehBOKEHPronounced: /ˈboʊkɛ/, /ˈboʊkeɪ/ [boh-kay] or /ˈboʊkə/ [boh-kə]
Originating from the Japanese word Boke (ボケ), meaning 'blur' or 'haze', it refers to the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. It has also been defined as the way the lens renders out-of-focus points of light. Bokeh depends on various aspects of lens design. Aperture design has the largest effect on Bokeh, and generally a lens with a more rounded aperture produces a more pleasing, natural Bokeh., remarkable details, and dramatically sharp images.
A Revolution In Optical Technology
The AF-S NIKKOR 24-70mm f/2.8E ED VR is the first NIKKOR lens to feature an aspherical Extra-low Dispersion (ED) glass element which effectively corrects lateral chromatic aberrations, coma flare at the periphery, as well as distortion and spherical aberration. It also incorporates aspherical lenses, ED glass, High Refractive Index lens elements and Nano Crystal Coat that minimise ghosting effects and chromatic aberrations. These groundbreaking qualities ultimately deliver images of stunning sharpness and vivid clarity.
Pinpoint Precision In Every Frame
The AF-S NIKKOR 24-70mm f/2.8E ED VR compensates for slow, wide panning movements with its latest VR technology, providing a shutter speedSHUTTER SPEEDAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Shutter speed is the length of time that a single frame is exposed for, more specifically how fast the shutter opens and closes to permit light entering the lens, to reach the sensor. A slow shutter speed means a longer exposure time useful for motion blur like the silky look of flowing water, whereas a fast shutter speed means a shorter exposure time useful for freezing the appearance of motion in images like a hummingbird in flight. It is measured in seconds starting at 1 second and halving our doubling in time.
For example: 1/2s, 1/4s and 1/8s are all fractions of a second with 1/2s being the longest exposure time, 1/4s half of that and 1/8s another half etc. effect equivalent to 4.0 stops faster in NORMAL mode. It also features an ACTIVE mode which stabilises the viewfinder image and minimises blurring in captured images when you are shooting from a moving vehicle or an unstable position. Crisp, sharp images can be achieved with every click.
Agility Beyond Compare
For smoother, faster, and quieter autofocus (AF), the AF-S NIKKOR 24-70mm f/2.8E ED VR comes with Silent Wave Motor that leverages on rotational energy to focus the optics. Its dynamic AF speed is optimised for capturing decisive sporting moments or fast-moving subjects such as animals. The AF-S NIKKOR 24-70mm f/2.8E ED VR is also equipped with an electromagnetic diaphragm mechanism for stable auto-exposure control, empowering you to achieve images of extraordinary quality even during high-speed continuous shooting.
Highly Durable Body Is Realized
Shock tests and inspections have been repeatedly applied to movable parts of the lens barrel to attain a higher level of ruggedness and durability. As a result, this lens withstands the severest shooting environments of professionals. Durable and shock-resistant lens body also achieves high tolerance for temperature change.
Newly Developed Aspherical Ed Glass Element Is Employed
The AF-S NIKKOR 24-70mm f/2.8E ED VR is the first NIKKOR lens that adopts an aspherical ED glass element. This type of lens uses ED (Extra-low Dispersion) glass that effectively minimizes color fringing as a material, while featuring non-spherical surfaces on one or both sides of the glass. Various lens aberrations such as lateral chromatic aberration, coma flare at the periphery, as well as distortion and spherical aberration, are effectively corrected.
Nikon F-Mount (FX), Metal Mount
Full Time Manual Focus
Minimum Focus Distance
35 to 50 mm focal length: 0.38m / 24, 28, and 70 mm focal lengths: 0.41m
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