• Super 35mm CMOS Sensor
  • Dual Pixel CMOS AF Technology
  • Dual DIGIC DV 6 Processors
  • 4K DCI and UHD, 1920 x 1080
  • 59.94/50/29.97/25/24/23.98p & 120p in HD
  • Canon RAW Light, MP4, MP4 Proxy
  • Integrated EVF, 2 x XLR Audio Inputs
  • Rotating 4" LCD Monitor, Camera Grip
  • 1 x CFast Card, 2 x SD Card Slots
  • SDI, HDMI, Ethernet Connectors

Brand: Canon
Product Code: 2244C003AA
R 123,995.00
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Recommended Accessories

The EOS C200 Digital Cinema Camera is a "ready-to-go" production camera that comes with a built-in electronic viewfinder and an array of accessories including a 4-inch touch screen LCD monitor, a versatile handle and ergonomic handgrip. The camera can record internal 4K RAW to a CFast™ 2.0 card in our new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. The 8.85 MegapixelPIXELThe shortening of 'picture element', a basic unit of programmable colour forming the dots that make up an image. Pixel size depends on a camera’s resolution, which is measured in megapixels (MP), meaning millions of pixels. The more pixels on a sensor, the smaller they have to be to fit. An image's number (or density) of pixels correlate to the amount of information and image holds. Cameras with more pixels on the sensor have a higher pixel density and thus more resolving power, able to capture smaller details with much more clarity and accuracy. Higher resolution images can be cropped more agressively and also produce better quality large prints. Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features helps deliver outstanding image quality, performance and versatility. 

Canon 8.85 Megapixel Super 35mm CMOS Sensor

The EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilises the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording. 

Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximises the amount of light that falls on to each photo site, thus enhancing the EOS C200 camera's sensitivity while also minimising noiseNOISEThe appearance of random pixels scattered over a photo, similar to the grain effect seen in film photography, which degrades photo quality almost as if it is stained. It occurs when taking photos in low-light conditions, with very slow shutter speeds on high sensitivity (ISO) settings. It is caused by amplification done by the sensor when high ISO settings are used. You can counteract digital noise by lowering the sensitivity (ISO) setting of your camera - the lower the ISO setting, the lower the noise in the image. Typically cameras with larger sensors (like full-frame cameras) will inherently produce less noise due to larger pixels on the sensor. and supporting ISO ISO Exposure is controlled by three elements: Aperture, Shutter Speed and ISO. The ISO speed determines how sensitive a camera's sensor is to incoming light. A higher ISO speed absorbs more light, resulting in a brighter exposure, however, a higher ISO also results in more digital noise in low-light conditions. Cameras with larger sensors (like full-frame cameras) typically have higher ISO speed capability and produce less digital noise at high ISO settings. Digital cameras include a control for adjusting ISO speed, some of which can be set to adjust automatically in combination with certain other exposure settings. ISO is indicated in numbers usually starting at 100 and going upward (200, 400, 800, 1600 etc.) doubling in sensitivity each time. Most cameras also indicate 3rd stop intervals (100, 125, 180, 200 etc.)speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time, resulting in a reduction in rolling-shutter artefacts.

Fully compatible with new and existing Canon EF mount lenses

A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon's 4K CN-E Cinema prime and zoom lensZOOM LENSAllows a camera to, unlike a fixed-focal length or prime lens, change smoothly from a long shot to a close-up or vice versa by varying the focal length. A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Due to more moving parts, zoom lenses often produce images of slightly lesser quality than their prime lens counterparts. However due to the inherent flexibility of being able to vary the focal length, they are extremely popular for photography where composition needs to be adapted quickly - such as at weddings, for example.es, including the “ENG-style” Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide the display of CN-E Cinema lens T-values, compatibility with Dual-Pixel CMOS AF, lens metadata acquisition, and chromatic aberration correction.

For those users who are accustomed to seeing the T-value displayed when using EF lenses for digital cinema, it is possible to switch the camera to display either the F-value or the T-value. This is important for those that shoot on movie sets and prefer to know how much light is passing through the opening of the lens and actually making it to the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stopF-STOPA notation used to indicate aperture, referring to the ratio between the diameter of the aperture in a lens and the lens's focal length. It is expressed using standard sequence fractional stops: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and f/22. The lower the f-stop number, the wider the lens opening (aperture). These numbers might seem arbitrary, but they indicate the focal ratio is at doubles or halves. For example, on a 50mm lens with 25mm aperture diameter, the ratio between the focal length and the aperture is 50/25=2. The f-stop would then be expressed as f/2. is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.

Built-in Viewfinder with LCD Touch Panel, Camera Grip and Handle Unit

The EOS C200 Digital Cinema Camera is a “ready-to-go” production camera, right out of the box. The camera comes with a built-in electronic viewfinder, along with a 4-inch Touch Screen LCD Monitor (LM-V1), Camera Grip (GR-V1), Handle Unit (HDU-2) and Battery Charger (CG-A20)- all helping make the EOS C200 ideal for single operator shooting applications including film, documentary and television production, as well as corporate video and event videography work and news gathering.

Built-In Electronic Viewfinder
The 0.46 inch, 1.77 million dot built-in electronic viewfinder has a full array of menu options for controlling camera settings, and supports HDR viewing.

Touch Screen LCD Monitor (LM-V1)
The fully adjustable and detachable, 1.23 million dot, 4-inch Touch Screen LCD Monitor works with Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.

Camera Grip (GR-V1)
The new Rosette style camera grip makes rotating and removing the grip simpler, and features an improved ergonomic design to help steady and focus the camera.

Handle Unit (HDU-2)
This handle unit can be attached to the camera body without tools, and features a new handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.

Dual DIGIC DV 6 Image Processors

The EOS C200 Digital Cinema Camera features our newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data. 

The two on-board DiG!C DV 6 image processors allow for the recording of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon's sixth-generation Image processor that uses proprietary technology, allowing users to achieve high performance and creative freedom when acquiring images.

Over Sampling HD Processing

The EOS C200 features Over Sampling HD Processing, a high-image-quality signal processing system that satisfies a broad spectrum of video production needs by effectively utilising the abundant powers of 4K image expression in 2K (2048 x 1080) / Full HD (1920 x 1080) recording.

ISO Range of 100 to 102,400 Supported

The EOS C200 supports an ISO range of between 160 and 25,600. That range expands to between 100 to 102,400 when the “Extended Sensitivity” is set on the camera. This range of ISO settings provides the user with more creative freedom. Low ISO values allow the user to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide the user with more flexibility in dimly lit situations. A 54db gain setting can also be set to achieve high sensitivity in dimly lit scenes.

Dual Pixel CMOS AF Technology

The EOS C200 Digital Cinema Camera features our Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor. Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies- a major advantage during single-operator shooting.

Continuous AF and Face Detection AF with all Canon EF Lenses

The EOS C200 has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune AF performance, the EOS C200 offers the ability to set the AF tracking speed (up to 10 steps) and sensitivity (up to 7 steps) to match the user’s preference.

Dual Pixel CMOS AF with Touch Focus 

Achieve faster focus with the included Touch Screen LCD Monitor (LM-V1), a new accessory with touch screen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with a tap of the screen helps to make focusing intuitive.

Dual Pixel Focus Guide

The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. 

The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus.

AF Tuning

A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps, allowing the user to select the appropriate responsiveness when changes have occurred in the subject.

Internal 4K RAW Recording with new Cinema RAW Light

The EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to our standard RAW files, while maintaining the same high resolution, high colour reproducibility, and wide dynamic range data to provide dramatically greater freedom in grading and compositing. Cinema RAW Light files are about 1/3 to 1/5 the size of our standard RAW files. The smaller file size and reduced bit rate speeds up data transfer and allows internal recording to CFast™ cards. The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit/12bit) maximises retention of colour and dynamic range information, which is especially critical in HDR production. Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon's CRD software.

Canon Log and Canon Log 3

The EOS C200 supports both Canon Log and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post production, the entire tonal range that the CMOS image sensor is capable of. Log workflow provides the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. 

Canon Log 3 is ideal for professional end users that want to get the most out of the camera system, and provides the most versatility for post production when recording in camera. 

When using Canon RAW Light and Canon's RAW development software it is possible to additionally use Canon Log 2 allowing for a total of 15 stops of dynamic range out of the camera. Using this method requires additional post production time over other options, but gives the highest quality and flexibility for post.

HDR Viewing

The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of our Canon 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that's close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.

Video Cameras

Sensor
CMOS Super 35 format
Processor
Dual DIGIC DV 6
File Format
Cinema Raw Light:
Resolution: 4096 x 2160
Bit Depth: 12-bit (29.97P/23.98P/25P/24P), 10 bit (59.94P/50P)
Bit Rate: 1 Gbps
----------------
MP4:
Resolution / Color Sampling: 3840 x 2160 YCC420 8-bit, 1920 x 1080 YCC420 8-bit
Frame Rates 3840 x 2160: 60p, 30p, 24p
Frame Rates 1920 x 1080: 120p, 60p, 30p, 24p
Bit Rate: 150 Mbps (3840 x 2160), 35 Mbps (1920 x 1080)
----------------
MP4 (Proxy):
Resolution / Color Sampling: 2048 x 1080 YCC420 8-bit
Bit Rate: 35 Mbps (2048 x 1080)
Recording Resolution
4096x2160 / 3840x2160
2048x1080
1920x1080
Frames Per Second Recording
59.94 Hz Mode
59.94i/p, 29.97p, 23.98p
----------
50 Hz Mode
50i/p, 25p
----------
24 Hz Mode
24p
High Definition
4K Capable
Lens Mount
Canon EF
Optical Zoom
Utilises Removable Canon EF-mount Lenses
Audio Inputs
2 x XLR
1 x Mic jack
Headphone Output
3.5mm Jack
On Board Memory
None
Memory/ Storage
CFast Card: 1 x slot (raw recording)
SD Card: 2 x slots (MP4 and JPEG recording)
Peaking
Yes
Zebra
Yes
Optical/ Digital Viewfinder
Built-In: 0.46" (1.32 cm) OLED diagonal, colour
1,770,000 dots
Touch Screen
Rotating colour LCD
Size: 4.00" / 10.16 cm
Resolution: 1,230,000 dots
Aspect Ratio: 16:9
Battery
BP-A30
Weight
1.5 kg

Batteries

Capacity
3200 mAh
Volt
14.4 VDC
Type
Lithium-Ion

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What's in the box?

  • Canon EOS C200 EF Cinema Camera
  • LM-V1 4" LCD Monitor
  • LA-V1 LCD Attachment Unit
  • HDU-2 Handle Unit
  • GR-V1 Camera Grip
  • Shoulder Strap
  • CA-A10 Compact Power Adapter
  • BP-A30 Battery Pack
  • Compact Power Adapter
  • UN-5 Unit Cable
  • Eyecup
  • Mic Holder Unit
  • Tape Measure Hook
  • Thumb Rest
  • Body Cap
  • Limited 1-Year Warranty

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