Capture more distant subjects while keeping your kit lightweight with the FE 70-200mm f/4 G OSS lens from Sony. for E-mount cameras. Excellent telephoto zoom range.

Brand: Sony
Product Code: LENSOE70200G
R 24,695.00
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Superior G Lens rendering

State-of-the-art optics in a compact, lightweight lens with constant F4 maximum apertureAPERTUREAperture, shutter speed and ISO form what is known as the exposure triangle in photography. Aperture refers to an opening inside the lens, similar to the iris of your eye, that changes in diameter to control the amount of light that enters a camera. Aperture is expressed in f-stops: the lower the number, the larger the aperture, e.g. f/1.4 is larger than f/8. A larger (or wider) aperture allows more light to pass through the lens to the sensor (film) as a picture is taken, particularly useful in low-light conditions. A larger aperture also produces a shallower depth-of-field, and thus more background blur. offer the appealing, expressive image quality that the G Lens lineup is famous for. G Lenses are manufactured to exacting tolerances and individually tested to ensure that each and every unit meets the same high standards of image quality and creative control.


Features

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/4 to f/22
  • Two ED Elements & One Super ED Element
  • Two AA Elements & One Aspherical Element
  • Nano AR Coating
  • Dual Linear AF Motors; Internal Focus
  • Optical SteadyShot Image Stabilisation
  • Focus Hold Buttons; Focus Range Limiter
  • Dust and Moisture-Resistant Construction
  • Removable, Rotating Tripod Collar


Optimum sharpness and bokehBOKEHPronounced: /ˈboʊkɛ/, /ˈboʊkeɪ/ [boh-kay] or /ˈboʊkə/ [boh-kə] Originating from the Japanese word Boke (ボケ), meaning 'blur' or 'haze', it refers to the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens. It has also been defined as the way the lens renders out-of-focus points of light. Bokeh depends on various aspects of lens design. Aperture design has the largest effect on Bokeh, and generally a lens with a more rounded aperture produces a more pleasing, natural Bokeh. in one lens

Precision AA (advanced aspherical) elements, super ED glass, and the Nano AR coating work together in an advanced optical design to deliver high resolution throughout the entire image at all focal lengthFOCAL LENGTHMeasured in mm, it is the distance from the focal point of a lens (its centre or curved mirror where light converges) to the plane of the image sensor (film) when an object is in focus. A shorter focal length lens sees a wider image and a longer focal length brings your subject closer. For example, a 15mm lens sees a very wide image and is perfect for landscape photography. Conversely, a 500mm lens sees a very narrow image, brings the subject much closer and is thus great for subjects that are far away, like a bird in a tree. With zoom lenses, its minimum and maximum focal lengths are indicated, for example, as 24-105mm. A zoom lens allows you to change the lens’ focal length, with shorter (wide-angle) and longer (telephoto) options, whereas a fixed focal length lens requires you to move back and forth to find the correct image composition. s. A 9-blade circular aperture extends the lens’s expressive capabilities by contributing to gorgeous background bokeh with natural highlights.


Lightweight mobility and smooth control

This compact, lightweight full-frame E-mount zoom lensZOOM LENSAllows a camera to, unlike a fixed-focal length or prime lens, change smoothly from a long shot to a close-up or vice versa by varying the focal length. A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Due to more moving parts, zoom lenses often produce images of slightly lesser quality than their prime lens counterparts. However due to the inherent flexibility of being able to vary the focal length, they are extremely popular for photography where composition needs to be adapted quickly - such as at weddings, for example. maximises mobility as well as balance with α7 series bodies. Internal focusing is an advantage too, maintaining constant lens length for better all-around handling. All controls, including focus hold and focus range limiter switches, have been designed for intuitive operation so the user can concentrate on the image.*

Check the Sony support site for details on camera body compatibility with focus hold button operation, etc.


Always sharp and clear

Built-in Optical SteadyShot™ image stabilisation compensates for camera shake that can blur images when shooting handheld. Sharp, clear telephotoTELEPHOTOA lens with long focal length capable of making distant objects appear nearer thus larger. Essentially, it isolates and magnifies the subject so that it appears as a full image when shooting from a distance. Telephoto lenses are ideal for photographing subjects that are further away, such as wildlife and sports photography. shots are easier to achieve, and indoor shots in dim lighting can be captured without the need to boost ISO ISO Exposure is controlled by three elements: Aperture, Shutter Speed and ISO. The ISO speed determines how sensitive a camera's sensor is to incoming light. A higher ISO speed absorbs more light, resulting in a brighter exposure, however, a higher ISO also results in more digital noise in low-light conditions. Cameras with larger sensors (like full-frame cameras) typically have higher ISO speed capability and produce less digital noise at high ISO settings. Digital cameras include a control for adjusting ISO speed, some of which can be set to adjust automatically in combination with certain other exposure settings. ISO is indicated in numbers usually starting at 100 and going upward (200, 400, 800, 1600 etc.) doubling in sensitivity each time. Most cameras also indicate 3rd stop intervals (100, 125, 180, 200 etc.)sensitivity and risk increased noiseNOISEThe appearance of random pixels scattered over a photo, similar to the grain effect seen in film photography, which degrades photo quality almost as if it is stained. It occurs when taking photos in low-light conditions, with very slow shutter speeds on high sensitivity (ISO) settings. It is caused by amplification done by the sensor when high ISO settings are used. You can counteract digital noise by lowering the sensitivity (ISO) setting of your camera - the lower the ISO setting, the lower the noise in the image. Typically cameras with larger sensors (like full-frame cameras) will inherently produce less noise due to larger pixels on the sensor..


Panning modes

The first image stabilisation mode switch in an α lens provides a “panning mode” that allows Optical SteadyShot™ image stabilisation to remain active while panning. This makes it possible to capture dynamic horizontally panned shots while effectively minimising shake-induced blur in other axes.


Constant F4 maximum aperture

A constant F4 aperture across the entire 70–200mm range means you can zoom and reframe as necessary without having to think about changing exposureEXPOSUREExposure is controlled by three elements: Aperture, Shutter Speed and ISO. Achieving the correct exposure is similar to collecting rain in a bucket, up to an optimum level. The rate of rainfall is out of your control (light), yet you can control these three factors: the bucket’s width (lens aperture), the duration you leave it in the rain (shutter speed), and how effective your bucket is in collecting rain (ISO). These three elements work together to control the amount of light per unit area, preventing underexposure (too dark) or overexposure (too bright), giving you a natural looking image. settings.


Nano AR Coating

This lens coating has been designed to accurately transmit light while reducing the negative effects of glare, reflection and ghosting. This creates shots with enhanced contrastCONTRASTThe difference between areas of different brightness levels in a photograph: A high-contrast image has a greater difference between light and dark areas, whereas a low-contrast image has a narrow range of tones. Contrast is used to direct a viewer’s attention to a photographer’s subject either with colour contrast (bold versus duller colours) or tonal contrast (bright versus darker tones). , clarity and overall image quality. (1. Nano AR Coating / 2.Glass / 3.Transmitted light)


9-blade circular aperture

The unique 9-blade circular design lets the aperture remain almost perfectly circular even when stopped down by two stops. This makes it possible to achieve smoother, more natural defocusing in your images – including artistic blurring or 'bokeh' – and greater control over the depth of field.


Dual Linear Motors

Focusing is fast and precise thanks to Dual Linear Motors. The quiet and fluid movement is perfect for shooting movies, fast-paced action, or whenever focus is being changed quickly and often. The use of an internal focusing group, rather than a moving front lens element, makes for a compact design that works well with accessories like lens hoods and polarising filters.


Reliable and easy in any conditions

Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens.

Lens

Focal Length
70 to 200mm
Maximum Aperture
f/4
Minimum Aperture
f/22
Barrel Type
Plastic
Camera Mount
Sony E
Full Time Manual Focus
Yes
Minimum Focus Distance
1 m
Internal Focus
Yes
Internal Zoom
No
Image Stabilization
Yes
Filter Thread
72 mm
Weight
840 g

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In the Box

  • Sony FE 70-200mm f/4 G OSS Lens
  • ALC-F72S 72mm Front Lens Cap
  • ALC-R1EM Rear Lens Cap
  • Lens Pouch
  • Limited 2-Year Warranty

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